Project ADC-1: High Level Comic Book Plot V4

It didn’t feel that I’d given Benevolen enough time to camouflage himself inside the altar chamber so I’ve tried to pad out the scenes with the acolytes and Lady Umia.

Also there was no reason for Kopath to be extra scary since I’m not going to get him to fight Benevolen.  So Kopath’s not a giant any more, just a menacing high priest.

So here’s version 4 (hopefully the final version and I’ll then use this to write the revised comic book script):

It is dusk, Captain Sylen Benevolen stands on a cliff edge with Iyeon his winged panther.  He is gazing across a mist filled abyss at the Dark Temple Of Mymosule.

Inside, Lady Umia the maiden is being carried through a corridor in a cage by the black robed acolytes of Mymosule. Lighting is provided by wooden torches.  The acolytes are armed with knives and a few even have rifles.  A green moth watches.

Back outside a large swarm of Benevolen’s green moths is returning to him after he sent them in to recon.

The moths land on Benevolen, covering him everywhere except for his head.

Benevolen nods.

The moths take wing again swarming gently around him.

Two hedgehogs are crawling up a nearby ridge. A mother and baby. The baby falls onto it’s back and cannot get back up.

Benevolen puts on his helmet.

He bends down to help the baby hedgehog.

Benevolen climbs onto his winged panther and flies across towards the dark temple, his moths flanking him like huge batwings.

Inside, the acolytes have carried Lady Umia into an altar chamber with a stone table at the centre.  There are around 100 acolytes surrounding the altar.  This chamber has no windows and is lit by wooden torches.

Elsewhere in a nearby corridor, two acolytes with rifles are patrolling.  They enter long chamber.  Above and behind them on a ledge, Benevolen and Iyeon seem to materialise out of the stone walls as the camouflaging moths that have been covering them take off and swarm towards the wooden torches.

Benevolen and Iyeon drop onto the two guards, dispatching them with minimal noise.

Back in the alter chamber Lady Umia’s cage has been set down next to the stone table.

A green moth flies into Lady Umia’s cage.

She notices it and hold’s out her hand.

The moth lands on it.

She smiles.

Kopath the high priest of Mymosule moves to stand in front of Lady Umia and holds out a wickedly curved dagger saying,

“You should feel honoured young woman.  There is no greater privilege than to be offered to Lord Mymosule.”

Two large acolytes unlock Umia’s cage and grab her.

Just then a swarm of moths spews in through the entrance of the chamber which is now dark.  The swarm splits up and smother the torches in the chamber.  It goes black.

There is a terrifying roar followed by the sound of fighting.

In the dark Captain Benevolen has flown into the chamber on his winged panther and taken down the two acolytes holding Umia.  (Benevolen can see in the dark via an empathic link to his pets – he can see through their eyes).

Benevolen lifts Umia off her feet whispering,

“It’s me Sylen, you’ll be safe soon.”

Benevolen climbs onto Iyeon in the dark and the winged panther flies over to the chamber entrance and bounds down the dark corridor.

Moments later they hurtle out of a giant arched window and over the edge of a cliff.

An acolyte appears at a nearby window and takes aim with a rifle.

Suddenly a swarm of green moths envelops him and his shot misses.

Iyeon carries them high into the distant sky to safety.

Flying through the dusk sky over forest covered ruins, Benevolen removes his helmet and reassures Lady Umia.

Lady Umia thanks Captain Benevolen for rescuing her.

Benevolen is on the edge of confessing his love for her but says something that only half reveals his feelings.

Lady Umia guesses what Benevolen’s true feelings are but says that she is sorry but she loves Captain Atonis.

Benevolen apologises for speaking out of turn.

They arrive back at Suborea where Umia’s fiancee Captain Atonis rushes over and carries her away.

He thanks Benevolen over his shoulder.

A few days later Benevolen is watching at Lady Umia and Captain Atonis’ wedding.

Hurting inside, Benevolen packs his bags and leaves Suborea.

It is again dusk as he flies out over the apocalyptic ruins in the forest.

Project ADC-1: High Level Comic Book Plot V3

The original comic book plot did not reveal the things I wanted revealing about Sylen Benevolen so I’ve been reworking it.  Basically Benevolen is a stealth expert so I wanted to show some of his stealth capabilities.

This is version 3:

It is dusk, Captain Sylen Benevolen stands on a cliff edge with Iyeon his winged panther.  He is gazing across a mist filled abyss at a dark temple.

Inside, Lady Umia the maiden is being carried through a corridor in a black cage by the acolytes of Mymosule. Lighting is provided by wooden torches. A green moth watches.

Back outside a large swarm of Benevolen’s green moths is returning to him after he sent them in to recon.

Benevolen holds out the back of his hand.

The moths land on Benevolen, covering everything except for his head.

Benevolen nods.

The moths take off swarming about him.

Two hedgehogs are crawling up a nearby ridge. A mother and baby. The baby falls onto it’s back and cannot get back up.

Benevolen puts on his helmet.

He bends down to help the baby hedgehog.

Benevolen climbs onto his winged panther and flies across towards the dark temple, flanked by his moths like some huge batwing.

Inside, Lady Umia is still being carried in the cage by the acolytes of Mymosule. Kopath the high priest of Mymosule is leading them. We see how huge Kopath is (twice the height of a normal man). A green moth watches.

The acolytes are armed with knives and a few even have rifles.

A green moth flies into Lady Umia’s cage.

She notices it and hold’s out her hand.

The moth lands on it.

She smiles.

Kopath enters a large torch lit altar chamber followed by the 4 acolytes carrying Umia in the cage.

Suddenly Benevolen and Iyeon seem to materialise from a ledge above and behind the acolytes as the moths that have been camouflaging them disperse.

Some of the moths swarm around the acolytes whilst others smother the torches with their moth webs. It gets very dark and the acolytes start panicking and shouting.

Benevolen and Iyeon take down the 4 cage bearers.

In the dark the other acolytes fire their guns blindly hitting their own kind.

Benevolen (who can see in the dark via his empathic link with his moths) frees Umia and lifts her off her feet.

He climbs onto Iyeon.

<Maybe Benevolen gets wounded and has a big fight with Kopath here>

Iyeon flies them up and out of the giant arched windows above.

Flying through the dusk sky over forest covered ruins, Benevolen removes his helmet and reassures Lady Umia.

Lady Umia thanks Captain Benevolen for rescuing her.

Benevolen is on the edge of confessing his love for her but says something that only half reveals his feelings.

Lady Umia guesses what Benevolen’s true feelings are but says that she is sorry but she loves Captain Atonis.

Benevolen apologises for speaking out of turn.

They arrive back at Suborea where Umia’s fiancee Captain Atonis rushes over and carries her away.

He thanks Benevolen over his shoulder.

A few days later Benevolen is watching at Lady Umia and Captain Atonis’ wedding.

Hurting inside, Benevolen packs his bags and leaves Suborea.

It is again dusk as he flies out over the apocalyptic ruins in the forest.

Ruined Steampunk Factory Concept 1

Ruined Steampunk Factory Concept 1
Ruined Steampunk Factory Concept 1

I’ve been rolling ideas around inside my head and have settled upon a ruined steampunk factory as the site of the opening scene in my comic book project.

The next task in my comic book project is to do a concept picture of the ruined steampunk factory.  My approach so far has been as follows:

  1. Gather reference images.
  2. Watch YouTube videos of people doing ruined castle type environments.
  3. Try out a few rough digital paintings for myself (as seen above).

One thing I’ve noticed is that for environments, the pro’s seem to use many more layers.  This works pretty well when you’re going for an environment with mist and a distant background landscape.

After struggling to get a good brush stroke for the planetary rings in the painting above, I reckon I will model the rings in Blender and then combine with digital painting in Manga Studio.

Project ADC-1: 11 September 2015

[visualizer id=”448″]

 

Project ADC-1 update. I’ve been changing my art process over the last 2 weeks and believe I’ve found a way to speed up without sacrificing too much quality: Skip the line drawing and go straight to painting.

For the next 2 weeks of this Make An eComic project I will continue to focus on concept art. However my original estimate for how long the concept art stage would take is looking to be way off the mark.

If the deadline is the priority I need to come up with some kind of genius idea for getting back on track …

Work Completed During The Last 2 Weeks:

  1. Idea Brainstorming:
  2. Character Design:
  3. High Level Plot:
  4. Script:
  5. Concept Art: Completed Sylen Benevolen 2nd concept and Iyeon concept.
  6. Storyboard:
  7. Full Art:
  8. Lettering:
  9. Package As .cbz:
  10. Testing:
  11. Publishing:

Work Planned For The Next 2 Weeks:

  1. Idea Brainstorming:
  2. Character Design:
  3. High Level Plot:
  4. Script:
  5. Concept Art:
    1. Castle Ruins
    2. Kopath The Giant
    3. Umia The Maiden
  6. Storyboard:
  7. Full Art:
  8. Lettering:
  9. Package As .cbz:
  10. Testing:
  11. Publishing:

 

Winged Panther Digital Painting 1E

Winged Panther Digital Painting 1E
Winged Panther Digital Painting 1E

I’m done with my winged panther digital painting.  The background was done using Manga Studio’s water colour brush set at a really big brush size.  I also tried out the snap to grid feature when drawing in the gold border.  The total time taken was 5 hours, less than half the time of my previous picture so I think I will stick with this new process.

Winged Panther Digital Painting 1D

Winged Panther Digital Painting 1D
Winged Panther Digital Painting 1D

I’ve given Iyeon the Winged Panther some more definition on his hind legs and also given him some armour.  The membrane of his wings now also has a redish tinge to it which I thought would look more natural – not sure when I last saw a winged panther in the wild though …

Winged Panther Digital Painting 1C

I’ve been working on a winged panther digital painting.  Again I’m skipping the line drawing stage and going straight to painting.  Time spent is at around 3 hours so far in Manga Studio.

Here he is, Iyeon the Winged Panther:

eComic Concept Art: Sylen Benevolen 2H

 

eComic Concept Art Sylen Benevolen V2H
eComic Concept Art Sylen Benevolen V2H

Added in the light tones, tidied up a bit and added a background with a brush tool set to watercolour.

This picture has taken 14 hours in total due to me struggling with getting his legs right, changing my mind on him being topless to wearing a jacket and spending too long on the linework instead of getting straight down to the painting.

Anyway I’ve added this to the eComic Concept Art page of Project ADC-1.

Project ADC-1: 28 August 2015

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Project ADC-1 update. I’m still making an eComic. The last 2 weeks have been spent mainly on concept art and have shown me that this project is not going to plan. My digital art process is taking too long so I’m looking for ways to speed it up without losing too much quality.

Work Completed During The Last 2 Weeks:

  1. Idea Brainstorming:
  2. Character Design:
  3. High Level Plot:
  4. Script: -li>
  5. Concept Art: Still working on the second concept painting of Sylen Benevolen (13 hrs so far).
  6. Storyboard:
  7. Full Art:
  8. Lettering:
  9. Package As .cbz:
  10. Testing:
  11. Publishing:

Work Planned For The Next 2 Weeks:

  1. Idea Brainstorming:
  2. Character Design:
  3. High Level Plot:
  4. Script:
  5. Concept Art:
    1. Sylen Benevolen Painting 2
    2. Iyeon The Winged Panther
    3. Castle Ruins
  6. Storyboard:
  7. Full Art:
  8. Lettering:
  9. Package As .cbz:
  10. Testing:
  11. Publishing: Integrate Selz as an eShop on this website and make a dummy .cbz available as a free download.

 

eComic Concept Art: Sylen Benevolen 2F

After the blocking in of colour I’ve started adding in the shadows for my full body ecomic concept art picture of Benevolen.

This picture has taken me 11 hours so far and has made me realise that my process is very inefficient.  I spent a lot of time adding details to the line drawing which is getting painted over anyway.

I think what I should do in future is just do a very quick line drawing and not add the difficult detail till I’m painting in the colours.

eComic Concept Art: Sylen Benevolen 2F
eComic Concept Art: Sylen Benevolen 2F